Recently, the genomes of nearly 800 prehistoric human individuals have been successfully analyzed as part of a large-scale archaeogenetic program carried out in an extensive European and American collaboration. The results of the research were published in Nature on the 22nd December 2021.

The aim of the project was to map the population movements reaching the British Isles in the second half of the Bronze Age (1300–800 BC). This wave of immigration may have been related to the spread of Celtic languages ​​and may have formed the basis of later Iron Age populations on the British Isles. 

On 11 November 2021 American composer and pianist Ketty Nez, Associate Professor of Music, Composition and Music Theory at Boston University College of Fine Arts, presented her compositional output inspired by folk musical sources from Central Europe and the Balkans, including music from various cultures collected by Béla Bartók as part of his ethnographic research. She combines freely composed music with gestures and rhythms from folk melodies, while the textures in the accompaniment respond to the needs of the solo performer, featured as “folk singer.” Among her works discussed are chamber music pieces featured on her latest CD double images (double images, sea-changes, 5 moments, the moon returns), her first work to use folk music sources Postcards from the 1930's, and her folk chamber opera The Fiddler and the Old Woman of Rumelia. The presentation also included Ketty’s piano performance with violinist Máté Vizeli as collaborator.

The volume, published by the Institute of Art History contains edited versions of the presentations delivered at the international workshop on the history of reproductions, held on 27 August 2020 in the Lutheran Central Museum in Budapest, in connection with the exhibition titled “Present of Ferencz Pulszky”, organised between 26 March and 27 August 2020 in the museum by the Lutheran Central Collection and the Research Centre for the Humanities – Institute of Art History. The exhibition and workshop were the continuation of an international project that took place in 2015–2016, in which, a bilingual catalogue was compiled and published on John Brampton Philpot’s photographic series of fictile ivories, created in the nineteenth century, including studies of Hungarian and foreign researchers, n cooperation between the Museo Nazionale del Bargello in Florence, the Institute of Art History and the Hungarian National Museum. 

A new paper with a focus on archaeogenomics on the history of horse domestication has been published in Nature, in which the authors also report on the results of their study of Bronze Age artefacts from Hungary. Within the framework of the Pegasus project funded by the European Research Council (ERC), a 162-member research team led by Ludovic Orlando at the Centre for Anthropobiology and Genomics in Toulouse (CAGT), archaeologists, archaeozoologists and archaeogeneticists from the Rippl-Rónai Museum in Kaposvár and the Institute of Archaeogenomics and the Institute of Archaeology of the ELKH Research Centre for the Humanities (RCH all participated in a large-scale study. By genomically analyzing the remains of 273 ancient horses, the researchers have provided new insights into the origin and distribution of the modern-day domestic horse in a broad international collaboration.