Ismertető

HUN-REN BTK ZENETUDOMÁNYI INTÉZET

1014 Budapest, Táncsics Mihály u. 7., Bartók terem

2024. november 28. csütörtök, 10 óra

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TUDOMÁNYOS FÓRUM

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TATJANA MARKOVIĆ

ACDH – Department of Musicology, Austrian Academy of Sciences, Vienna

Pluricultural musical life along the Austrian-Ottoman border in the 19th century

The Habsburg southern military frontier was established in the eighteenth century by the empress Maria Theresa and the emperor Joseph II. The “border” here designates not only  territorial Habsburg-Ottoman division, but also crossings, trans-bordering, and integration  among Serbian, Croatian, Hungarian, Romanian, Slovakian, Jewish and German, communit- ies. I am going to consider cultural network within the Banat (Pancsova/Pantschowa/Pančevo, Nagybecskerek/Großbecskerek/Zrenjanin, Versec/ Werschetz /Vršac) by reconstructing mu- sical life from the multilingual primary sources. Musical culture of the Banat is characteristic after the migrations and forced settlement of different ethnic groups (first of all Germans), which were continuously changing demo- graphic picture of the region resulted in the complex cultural transfer (the languages and reli- gions; printed media, musical performance practice) and a form of colonialism recently applied to the Habsburg imperial politics and cultural policy (Mahoney, Popescu). I will shed light on the individual (theatre director Karoly/Carl/Karl Rémay) and collective (choral soci- eties) music performance practices from the aspects of multicultutalism and pluriculturalism (Bhati) through Appadurai’s ‘scapes’. This process of transformation from transnational to national self-identifications in the military frontier zone between the two empires, in a wider con- text of the Central-Eastern Europe, contributes to the (unknown) European music history.

A meghívó letölthető.

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